"We Are Because You Are“ presents a narrative where the past meets the future, delving into where water itself reflects on its current needs and desires. Bauba Collective, inspired by the famed old fishponds of the Třeboň Basin, a vital element in protecting biodiversity in
Lucida is a site-specific project that points to a critical, yet meditative view towards the photographic medium. Deconstructing its inner workings with emphasis on their layered materiality challenges established notions of thinking about black-boxed mechanisms. Lucida is a collaborative project by Juan Cevallos, Filip Kunovski, and
ONAN (Public/Private) playfully investigates the fragile boundaries between what we define as private and what we perceive as public. The project questions not only these cultural and social constructs, but also the conventions of censorship that shape our ways of seeing. The photographic installation operates through
‘Bridge’ (The Last Flight) is a photographic project by Nina Šperanda exploring bridges as both connections and places of rupture. Using a camera thrown from bridges, the work captures chance perspectives that echo the final views of those who chose to depart life from these
East West North South is a piece about chance, identity, and memory. An old map of Istria, a place shaped by a long history of shifting borders, is folded into the childhood game we used to play to tell the future. On the outside we
Perfect Parents is a project that questions the idea behind the phrase “perfect parents.” I chose the form of a locket necklace because it carries intimacy and weight. A pendant is something you keep close to your heart, holding what feels most precious or sometimes most
... Nina makes corporeality congruent with the landscape. In our memories, the familiar places often stand for a sense of peace and security that we once felt, but just seemingly so. With time we realize it is not true shape and form but an open, empty
This series represents my view of my hometown, seen through small windows of everyday life. No humans are present; instead, the quiet fragments of place carry their own weight. In their stillness, the images translate the ennui I felt during my years there, a sense
The interdisciplinary project “Factory in Progress” took place in the inspiring environment of a paper factory in Rijeka, Croatia in the summer of 2011 during the Hartera Festival. It rounded up 14 creative professionals from different areas (contemporary dance, corporeal mime, classical theatre, electronic music,
By the cinematographic and photographic means of expression and by interchanging the faceless figures with the fragments of the space I tried to depict to the viewer the experience of a lucid dream. Technically, I used digital technology supported by an old Meopta’s Flexaret camera