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‘Lucida’, 2023

Lucida is a site-specific project that points to a critical, yet meditative view towards the photographic medium. Deconstructing its inner workings with emphasis on their layered materiality challenges established notions of thinking about black-boxed mechanisms.   Lucida is a collaborative project by Juan Cevallos, Filip Kunovski, and

‘Onan (Public/Private)’, 2013

The project ONAN (Public/Private) playfully deals with cultural, social, and personal definitions, premises, and perceptions of the terms Private and Public. At the same time, it questions the convention of censorship. The repetitive photography installation shows-hides documentary photographs of an exhibitionist in a public park Letná in

‘Bridge’ (The Last Flight), 2013-2016

The concept of this project is on the verge of a document, presenting a possible but at the same time questionable testimony of a suicide by jumping from a bridge. The last view. Morbid and brutal but at the same time serving as a memento

‘East West North South’, 2014

East West North South is a project dealing with aleatorics, political and personal identity. The old map of Istria is folded into a childhood game we used to play, serving as a vessel for predicting the future while trying to find out the answers to our

‘Perfect Parents’, 2014

Lockets express what it means to be human in absolutely distinct terms. They celebrate what it means to love and to honor. They mark what it means to remember and to mourn. In this way,  lockets and charms offer us a window to our past.

‘Seven‘, 2013

... Nina makes corporeality congruent with the landscape. In our memories, the familiar places often stand for a sense of peace and security that we once felt, but just seemingly so. With time we realize it is not true shape and form but an open, empty

‘Factory Girl’ (Factory in Progress), 2011-2012

The interdisciplinary project “Factory in Progress” took place in the inspiring environment of a paper factory in Rijeka, Croatia in the summer of 2011 during the Hartera Festival. It rounded up 14 creative professionals from different areas (contemporary dance, corporeal mime, classical theatre, electronic music,

‘Kaleidoscope of Dreams’, 2009-2010

By the cinematographic and photographic means of expression and by interchanging the faceless figures with the fragments of the space I tried to depict to the viewer the experience of a lucid dream. Technically, I used digital technology supported by an old Meopta’s Flexaret camera